Bach's B Minor Mass
Completing TENET’s traversal of J.S. Bach’s major vocal works.
TENET concludes our decade-long exploration of J. S. Bach’s oratorios performed unconducted and chamber-style in a jubilant performance of the Mass in B Minor.
TENET concludes our decade-long exploration of J. S. Bach’s oratorios performed unconducted and chamber-style in a jubilant performance of the Mass in B Minor.
While abroad, TENET will perform “Mit Glanz und Gloria, ” a program of repertoire by Claudio Monteverdi, Heinrich Schütz, Dieterich Buxtehude, Johann Hermann Schein, Matthias Weckmann, and more. TENET’s all-star cast features:
Jolle Greenleaf and Clara Rottsolk sopranos
Kate Maroney, Clara Osowski, and Elisa Sutherland mezzo-sopranos
Jacob Perry, James Reese, and Gene Stenger tenors
Steve Hrycelak and Enrico Lagasca basses
Beth Wenstrom and Dongmyung Ahn violins
Matt Zucker baroque cello
Hank Heijink theorbo
Jeffrey Grossman keyboard
While abroad, TENET will perform “Mit Glanz und Gloria, ” a program of repertoire by Claudio Monteverdi, Heinrich Schütz, Dieterich Buxtehude, Johann Hermann Schein, Matthias Weckmann, and more. TENET’s all-star cast features:
Jolle Greenleaf and Clara Rottsolk sopranos
Kate Maroney, Clara Osowski, and Elisa Sutherland mezzo-sopranos
Jacob Perry, James Reese, and Gene Stenger tenors
Steve Hrycelak and Enrico Lagasca basses
Beth Wenstrom and Dongmyung Ahn violins
Matt Zucker baroque cello
Hank Heijink theorbo
Jeffrey Grossman keyboard
While abroad, TENET will perform “Mit Glanz und Gloria, ” a program of repertoire by Claudio Monteverdi, Heinrich Schütz, Dieterich Buxtehude, Johann Hermann Schein, Matthias Weckmann, and more. TENET’s all-star cast features:
Jolle Greenleaf and Clara Rottsolk sopranos
Kate Maroney, Clara Osowski, and Elisa Sutherland mezzo-sopranos
Jacob Perry, James Reese, and Gene Stenger tenors
Steve Hrycelak and Enrico Lagasca basses
Beth Wenstrom and Dongmyung Ahn violins
Matt Zucker baroque cello
Hank Heijink theorbo
Jeffrey Grossman keyboard
While abroad, TENET will perform “Mit Glanz und Gloria, ” a program of repertoire by Claudio Monteverdi, Heinrich Schütz, Dieterich Buxtehude, Johann Hermann Schein, Matthias Weckmann, and more. TENET’s all-star cast features:
Jolle Greenleaf and Clara Rottsolk sopranos
Kate Maroney, Clara Osowski, and Elisa Sutherland mezzo-sopranos
Jacob Perry, James Reese, and Gene Stenger tenors
Steve Hrycelak and Enrico Lagasca basses
Beth Wenstrom and Dongmyung Ahn violins
Matt Zucker baroque cello
Hank Heijink theorbo
Jeffrey Grossman keyboard
SongFest is an art song festival and training program held in June at Pomona College in Claremont just outside of Los Angeles. SongFest attracts an internationally distinguished roster of artist-teachers as well as students from some of the nation’s top music conservatories.
SongFest is a sanctuary for singers and pianists to gather together, learn, experience and discover what makes SONG such a powerful art in today’s world. Through an intensive program of master classes, concerts and one-on-one sessions, SongFest offers a unique opportunity to be inspired and coach with the best in their field.
SongFest comprises of three (3) programs for singers and pianists at every stage of their development: Studio Artist, Young Artist, Professional Fellow and Pianists. Audiences enjoy a vibrant concert series and auditors can attend selected daily masterclasses and lectures led by the most exciting artists of today.
The powerful “Great” Mass in C Minor offers us Mozart at the height of his brilliance. A work of mysterious origins, the music is a layered, shimmering tapestry. Moods shift constantly, sometimes dazzling, sometimes movingly somber. Left
unfinished at Mozart’s death, the mass is lovingly and studiously reimagined by Jos van Veldhoven.
Mozart: Mass in C Minor, K 417a [427]
Handel: Sinfonia from Israel in Egypt, HWV 54
Handel (orchd Mozart): “Hallelujah” from Messiah, HWV 56
Handel: Overture to Alexander’s Feast, HWV 75
Mozart: Prelude and Fugue in D Minor, K. 405/4
Mozart: Agnus Dei from Litaniae laurentanae in D Major, K. 195/186d
J.S. Bach: Dona nobis pacem from Mass in B Minor, BWV 232
OBF Chorus
OBF Period Orchestra
Jos van Veldhoven, conductor
www.sourcesongfestival.org
Performing the role of Baba the Turk.
Monday, August 26 at 7:30 PM, NDSU Beckwith Recital Hall
Tuesday, August 27 at 7:00 PM, NDSU Challey Atrium, Stravinsky, "The Rake's Progress"
Wednesday, August 28 at 7:30 PM, NDSU Beckwith Recital Hall
Thursday, August 29 at 7:00 PM, NDSU Challey Atrium, Stravinsky, "The Rake's Progress"
Amazingly, the 2024 NDSU Chamber Music Festival will mark the 10th season that we have gathered to enjoy performances of great chamber music together! Alongside concerts of great instrumental chamber music in Beckwith Recital Hall on Monday, August 26 and Wednesday, August 28, the 2024 NDSU Chamber Music Festival will feature a two special performances of Igor Stravinsky's iconic masterpiece "The Rake's Progress" in the Challey Atrium on Tuesday, August 27 and Thursday, August 29. The production, directed by Fargo-Moorhead Community Theatre Executive Director Judy Lewis, will feature costumes by Rooth Varland and world-class guest principal singers including NDSU alumni Clara Osowski and Tessa Hartl. In continuing the side-by-side educational model of the Festival, the chorus will feature NDSU student performers led from within by NDSU vocal faculty Kelly Burns and Karisa Templeton, and in the same way the chamber ensemble will include NDSU student performers alongside NDSU faculty, other beloved musicians from the Fargo-Moorhead area, and guest artists including violinist Grace Park as well as members of the Saint Paul Chamber Orchestra and the Los Angeles Philharmonic.
Performing the role of Baba the Turk.
Monday, August 26 at 7:30 PM, NDSU Beckwith Recital Hall
Tuesday, August 27 at 7:00 PM, NDSU Challey Atrium, Stravinsky, "The Rake's Progress"
Wednesday, August 28 at 7:30 PM, NDSU Beckwith Recital Hall
Thursday, August 29 at 7:00 PM, NDSU Challey Atrium, Stravinsky, "The Rake's Progress"
Amazingly, the 2024 NDSU Chamber Music Festival will mark the 10th season that we have gathered to enjoy performances of great chamber music together! Alongside concerts of great instrumental chamber music in Beckwith Recital Hall on Monday, August 26 and Wednesday, August 28, the 2024 NDSU Chamber Music Festival will feature a two special performances of Igor Stravinsky's iconic masterpiece "The Rake's Progress" in the Challey Atrium on Tuesday, August 27 and Thursday, August 29. The production, directed by Fargo-Moorhead Community Theatre Executive Director Judy Lewis, will feature costumes by Rooth Varland and world-class guest principal singers including NDSU alumni Clara Osowski and Tessa Hartl. In continuing the side-by-side educational model of the Festival, the chorus will feature NDSU student performers led from within by NDSU vocal faculty Kelly Burns and Karisa Templeton, and in the same way the chamber ensemble will include NDSU student performers alongside NDSU faculty, other beloved musicians from the Fargo-Moorhead area, and guest artists including violinist Grace Park as well as members of the Saint Paul Chamber Orchestra and the Los Angeles Philharmonic.
Jonathan Posthuma arranged Charles Ives songs and more!
Alto soloist.
See for yourself why The Dream of Gerontius is considered Edward Elgar’s finest composition. A monumental work that has been hand selected for Music Director Richard Hynson’s farewell performance, the richly orchestrated score contains some of Elgar’s most powerful, evocative choral writing. Featured guest soloists include Clara Osowski (mezzo-soprano), Nicholas Huff (tenor), and Leo Radosavljevic (baritone).
Soloist with St. Paul Chamber Orchestra, St. Paul, Minnesota.
Second soprano soloist.
This dazzling setting of the Mass exemplifies Mozart’s brilliance in uniting music and text to create drama. Written to showcase the vocal talents of his wife Constanze, the Great Mass is an undisputed masterpiece revered by Mozart fans for 250 years.
On this program, the Master Chorale’s performance of the Great Mass in C Minor will be complemented by two motets: Mozart’s glorious Exsultate, jubilate and Joseph Haydn’s Insanae et vanae curae.
Second soprano soloist.
This dazzling setting of the Mass exemplifies Mozart’s brilliance in uniting music and text to create drama. Written to showcase the vocal talents of his wife Constanze, the Great Mass is an undisputed masterpiece revered by Mozart fans for 250 years.
On this program, the Master Chorale’s performance of the Great Mass in C Minor will be complemented by two motets: Mozart’s glorious Exsultate, jubilate and Joseph Haydn’s Insanae et vanae curae.
Alto soloist, Music of the Baroque.
Ensemble alto.
A special visit to the Esterházy palace by war hero Admiral Lord Nelson and his mistress, Lady Emma Hamilton, inspired this concert of works by Haydn. Amateur soprano and scandalous socialite Lady Hamilton struck up a friendship with Haydn and they performed together multiple times during her stay at Esterházy. The palace’s resident composer, Haydn provided entertainment for the diplomatic visit with the premier of the Te Deum for the Empress Marie Therese and two works dedicated to Lord Nelson: Missa in angustiis (later coined the “Nelson” Mass) and the song “The Battle of the Nile,” with Emma singing. Step back in time to relive the political and social intrigue of Haydn’s time in a concert for chorus and chamber orchestra that will make you feel like you’ve stepped into a salon at the Austrian palace.
Thu, Feb 22, 7:00 pm | Vanderbilt Presbyterian, Naples
Fri, Feb 23, 8:00 pm | Church of the Little Flower, Coral Gables
Sat, Feb 24, 7:30 pm | All Saints Episcopal, Ft. Lauderdale
Sun, Feb 25, 4:00 pm | St. Gregory's Episcopal, Boca Raton
Ensemble alto.
Father and son Alessandro and Domenico Scarlatti were influential in the musical life of Naples, Italy in the Baroque period. Most commonly recalled for his keyboard sonatas learned by piano students everywhere, Domenico’s calm and reflective Stabat Mater will be performed by vocal ensemble and continuo. The elder Scarlatti, Alessandro, was known for his vocal works, and excerpts from his Missa Clementina will demonstrate his masterful part writing. Captivating and meditative, these intricate Baroque vocal works provide a pause from modern life.
Thu, Feb 15, 7:30 pm | St. Sophia Greek Orthodox, Miami
Fri, Feb 16, 7:30 pm | St. Philip's Episcopal, Coral Gables
Sat, Feb 17, 7:30 pm | All Saints Episcopal, Ft. Lauderdale
Sun, Feb 18, 4:00 pm | All Souls Episcopal, Miami Beach
Recital:
Feb. 3, 2024 at 7:30PM
Hamre Recital Hall
$5 General Admission, AU Faculty/Staff/Students free with ID at door
Liebst du um Schönheit (Rückert) Clara Schumann
Funf Lieder, Op. 40 (Hans Christian Anderson Robert Schumann
Märzveilchen
Muttertraum
Der Soldat
Der Spielmann
Verratene Liebe
Warum willst du and're Fragen (Rückert) Clara Schumann
Five Brahms Songs Johannes Brahms
Therese, Op. 86 (Keller)
Feldeinsamkeit, Op. 86 (Allmers)
Dein Blaues Auge (Groth)
Lerchengesang (Candidus)
Die Mainacht (Hölty)
Ich stand in dunklen träumen (Heine) Clara Schumann
Brief intermission
Dos Sonetos, Op. 15 (Sor Juana Inés de la Cruz) Rodolfo Halffter
Miró Celia una rosa
Feliciano me adora y le aborrezco...
Raspberry Island Dreaming Libby Larsen
The River Is (Sutphen)
Where the River Bent (Sutphen)
Raspberry Island (Hampl)
On the Threshold (Jenny Joseph) Jonathan Dove
Story
Still reading fairy stories
Warning
Masterclass:
Feb. 2, 2024 at 3:00PM
Hamre Recital Hall
Free Admission
Since the inaugural songSLAM of 2016 in NYC, our first come, first served registration has filled in under 15 minutes of opening, and our audiences are typically sold out and/or standing room only. The songSLAM was developed to bring in new, energized, and invested audiences for art song while removing barriers and gatekeepers for performers and composers. Our 2024 NYC songSLAM event is produced in partnership with National Sawdust.
Every year Sparks & Wiry Cries awards a songSLAM commission prize, which includes a world premiere performance, to one of the composers from the previous NYC songSLAM. This year’s commission, Anger in Open Mouths: Three Sweet Songs by composer Laura Nevitt and poet Viviana Gill, will be performed by mezzo-soprano Clara Osowski and pianist Erika Switzer.
Ensemble alto.
TRANSEPT CHRISTMAS: LITTLE ROSE
THURSDAY, DECEMBER 21, 2023 AT 7:30 PM
AT THE CATHEDRAL OF SAINT JOSEPH
521 N DULUTH AVE
SIOUX FALLS, SD 57104
Coming for the first time to the Cathedral of St. Joseph, Transept’s beloved Christmas program interweaves sources ancient and modern, from plainchant to medieval carols to modern gems. Featuring music by Lassus, Praetorius, Distler, Frank, Stopford, Weir, Mahler, and more, Transept Christmas is not to be missed!
Johann Sebastian Bach composed the set of six cantatas known as the Christmas Oratorio for performance during the Christmas season spanning December 25, 1734 to January 6, 1735. Part 5, the cantata Ehre sei dir, Gott, gesungen (Glory to You, God, We Sing) was first performed in Leipzig on January 2, 1735, the Sunday that fell between New Year’s and Feast of the Epiphany on January 6. It tells of the journey of the Three Wise Men who sought to behold the baby Jesus, of King Herod’s trepidation upon hearing that a savior had been born, and of humanity’s joy at the promise of salvation brought by Jesus’ birth.
The cantata BWV 8, Liebster Gott, wenn werd ich sterben (Dearest God, When Will I Die), was composed in 1724 as part of Bach’s second annual cantata cycle and was first performed at services in Leipzig on September 24, 1724. The work’s daring opening superimposes the tender, flowing lines of the oboe d’amores upon the clockwork pizzicato of the strings and the high, motoric whirr of the flute part. The passage of time and the ease of eternity are both present. Bach presents us with simultaneous dialectic and fusion: waves and particles, grace and gears. How it plays out is what the following movements are all about!
Estelí Gomez–SOPRANO, Clara Osowski–MEZZO-SOPRANO, Fran Laucerica–TENOR, Alan Dunbar–BASS-BARITONE, Kangwon Kim, Nathan Giglierano, Ben Lenzmeier & Leanne Kelso–VIOLINS, Micah Behr–VIOLA, James Waldo–CELLO, Jerry Fuller–BASS, Curtis Foster & Pablo Moreno–OBOES, Immanuel Davis–FLUTE, Trevor Stephenson–HARPSICHORD
Johann Sebastian Bach composed the set of six cantatas known as the Christmas Oratorio for performance during the Christmas season spanning December 25, 1734 to January 6, 1735. Part 5, the cantata Ehre sei dir, Gott, gesungen (Glory to You, God, We Sing) was first performed in Leipzig on January 2, 1735, the Sunday that fell between New Year’s and Feast of the Epiphany on January 6. It tells of the journey of the Three Wise Men who sought to behold the baby Jesus, of King Herod’s trepidation upon hearing that a savior had been born, and of humanity’s joy at the promise of salvation brought by Jesus’ birth.
The cantata BWV 8, Liebster Gott, wenn werd ich sterben (Dearest God, When Will I Die), was composed in 1724 as part of Bach’s second annual cantata cycle and was first performed at services in Leipzig on September 24, 1724. The work’s daring opening superimposes the tender, flowing lines of the oboe d’amores upon the clockwork pizzicato of the strings and the high, motoric whirr of the flute part. The passage of time and the ease of eternity are both present. Bach presents us with simultaneous dialectic and fusion: waves and particles, grace and gears. How it plays out is what the following movements are all about!
Estelí Gomez–SOPRANO, Clara Osowski–MEZZO-SOPRANO, Fran Laucerica–TENOR, Alan Dunbar–BASS-BARITONE, Kangwon Kim, Nathan Giglierano, Ben Lenzmeier & Leanne Kelso–VIOLINS, Micah Behr–VIOLA, James Waldo–CELLO, Jerry Fuller–BASS, Curtis Foster & Pablo Moreno–OBOES, Immanuel Davis–FLUTE, Trevor Stephenson–HARPSICHORD
David Alexander Rahbee conducts the University of Washington Symphony in a program of music by Robert Schumann, Clara Schumann, Valentin Silvestrov, and Richard Strauss. With Clara Osowski, mezzo soprano, and Music History faculty Frederick Reece, narration, on Clara Schumann’s Four Songs.
Robert Schumann: Scenes from Goethe’s Faust: Overture
Clara Schumann: Four Songs (orchd. Rahbee)
Clara Osowski, mezzo soprano; Frederick Reece, narration
Valentin Silvestrov: Prayer for Ukraine (orchd. Resatsch)
Richard Strauss: Death and Transfiguration, op.24
Alto soloist with Salastina.
December 2, 2023 @ 2:30 PM - Pasadena
Doheny Mansion at Mount Saint Mary’s University
+ Livestream
One Performance Only!
All the glory of Handel’s timeless Messiah, but make it chamber music. This chestnut gets the one-on-a-part treatment – and the nimbleness and luminosity that affords. Salastina loyalists will enjoy the return of last season’s most popular Happy Hour guest, the effervescent Belgian soprano Laurence Servaes, alongside the return of stunning mezzo-soprano Clara Osowski. Mulled wine reception to follow.
Salastina proudly presents this performance in partnership with The Da Camera Society in celebration of its 50th Anniversary Season.
Alto Soloist.
Two Rivers Chorale and From Age to Age.
Ensemble alto.
Chamber concert featuring works of Ligeti , Dufay, and Ockeghem. Part of the Boston Symphony Orchestra’s Ligeti 100 celebration. Free concert - no ticket required.
Ensemble alto.
Heralded for its “full-bodied and radiant sound” (The New York Times) and “stunning precision of harmony, intonation, and… spectacular virtuosity” (Gramophone magazine), Lorelei Ensemble is recognized internationally for its bold and inventive programs that champion the extraordinary flexibility and virtuosity of the human voice. In the capstone to their upcoming residency at MASS MoCA, the all-professional vocal ensemble of nine women performs LOOK UP, a program featuring the world premiere of new works by Christopher Cerrone and Elijah Daniel Smith, alongside music of Meredith Monk, Molly Herron, and Elena Ruehr, under the direction of founder and artistic director Beth Willer.
LIEDER BY SCHUBERT AND BRAHMS
with pianist Horacio Nuguid and clarinetist David Townsend.
Presented By: Rochester Chamber Music Society
Dates: October 21, 2023
Location: Cnrist United Methodist Church
Address: 400 5th Avenue SW, Rochester, MN 55902
Time: 7:30 PM to 9:30 PM
Price: free
Pianist Ahmed Anzaldua.
MARI ÉSABEL VALVERDE
Duérmete, niño lindo (Trad.)
CATHERINE DALTON
Flight (Marg Walker)*
1. By the River
2. For a Moment
3. Flight
FREDIC MOMPOU
Combat del Somni (Josep Janés)
1. Damunt de tu només les flors
2. Aquesta nit un mateix vent
JANIKA VANDERVELDE
Rabbits Among Us (Patricia Kirkpatrick)*
JOHANNES BRAHMS
Vergebliches Ständchen (Trad.), Op. 84, No. 4
Geheimnis (Candidus), Op. 71, No. 3
Lerchengesang (Candidus), Op. 70, No. 2
GERALD FINZI
Since we loved (Robert Bridges)
*world premiere
Free, no registration required.
Landmark Center Courtroom 317
75 W 5th St
MN 55102
Celebrate 10 years of art song and Source Song Festival, Westminster Presbyterian Church.
Plymouth Congregational Church Chamber Music Tuesdays.
Clara Osowski, Anthony Ross, and Mary Jo Gothmann perform a program including Brahms Op. 91, Berlioz, Previn, Libby Larsen, and Jonathan Dove.
Composed during an incredibly difficult period of converging crises in Mahler’s life, this piece — based on classical Chinese poetry — is about the beauty and transience of life. It’s sublimation at its finest.
Arnold Schoenberg, of all people, arranged what Leonard Bernstein called Mahler’s “greatest symphony” for chamber ensemble. Specifically: 2 singers, string quintet, piano, winds, percussion… and no conductor (because #chambermusic, duh).
Do not miss this one-night-only performance at the Huntington Library and Gardens. To get in the mood before dinner, you are welcome to wander the Huntington’s grounds until 5:00 PM free with your concert ticket purchase.
Reception to follow.
Program:
Gustav Mahler, arranged by Arnold Schoenberg: Das Lied von der Erde
Clara Osowski and Steve Staruch, with premieres by Daniel Nass and David Evan Thomas, on the poetry of Louis Jenkins. Free!
Guest with the Minneapolis Guitar Quartet. Free!
Alto soloist with Delaware Symphony Orchestra
Alto soloist with the South Dakota Symphony.
Recital with Tyler Wottrich, piano. Free admission.
Schubert, Poulenc’s Banalites, Britten’s Charm of Lullabies, Argento’s Casa Guidi, and Jonathan Dove’s On the threshold.